The creation of the photographic quilts starts with processing photographs that I took with either/both digital and analog cameras. Once I have the visual content in its raw form, I print the images as a grid with an inkjet printer. The printing of more than one photograph is usually done in a random order, layered on top of each other, which creates a cluster of moments happening at once, forming a new image. The prints go through a process of plastic-coating and often get cropped afterwards. When I have all inkjet prints coated with plastic, I sew them together with a sewing machine.
The first quilts were created in 2017 and the technique had gone through different alterations since, from placing elements between the paper and the plastic to using different types of printers.
Death to Birth, 2026
52 X 40 X 1 cm
The Terror House of Jewish Scandinavian Leather Men - Lamp Triptych, 2025
112 X 78 X 1 cm each
The Terror House of Jewish Scandinavian Leather Men - Lamp Triptych, 2025 (1/3)
In Between ,2024
57 X 39 X 1 cm
Still Standing: Diptych, 2023
78 X 72 X 1 cm
Back Room, 2021
80 X 40 X 1 cm
Robert, 2021
78 X 120 X 1 cm
Amager Fælled (gummi), 2020
121 X 78 X 1 cm
Amager Fælled (misc), 2020
130 X 85 X 1 cm
Choir Boy, 2020
122 X 89 X 1 cm
Eisenacher, 2019
122 X 86 X 1 cm
Bell Jar, 2018
112 X 80 X 1 cm
Knife Drawer, 2018
125 X 86 X 1
Nicolai, 2018
118 X 76 X 1 cm